Gareth Brynmor John



Helen Hogh

Fiona Wells

Groves Artists represents Gareth Brynmor John worldwide


Winner of the Kathleen Ferrier Award, baritone Gareth Brynmor John studied at St John’s College, Cambridge and the Royal Academy of Music where, in his final year, he won the Royal Academy of Music Patrons’ Award. He also studied at the National Opera Studio where he was supported by the Royal Opera House, Richard Carne Trust and Chris Ball. He made his debut with Welsh National Opera singing Schaunard (La Bohème) in Spring 2017 and was immediately re-invited to cover the role of Onegin (Eugene Onegin) for them in the 2017/18 season and sing Masetto / Don Giovanni in 2018/9.

Previous engagements include Sharpless (Madama Butterfly) for Bury Court Opera and at the Anghiari Festival in Tuscany, and Pallante (Agrippina) for Iford Arts Opera. With English Touring Opera, he sang Edoardo in Donizetti’s The Siege of Calais, and also understudied Marcello (La bohème). He has understudied Silvio (I Pagliacci), Cecil (Maria Stuarda), Roderick (Usher House) and Man/Ephraimite (Moses und Aron) for Welsh National Opera. Whilst at the National Opera Studio he sang the title role in Don Giovanni as well as being involved in Opera Scenes directed by Graham Vick.   Other recent and future engagements include covering the role of Andrei / War and Peace,  singing and covering Papageno / Die Zauberflöte and singing Robert / Les Vepres Siciliennes all for WNO,  Ishmeron / The Indian Queen for Opéra de Lille,  Donner / Das Rheingold for Grimeborn Opera and Servilio / Lucio Papirio Dittatore at the Buxton International Festival.

With the Royal Academy Opera, his roles included Eugene Onegin, Claudio (Béatrice et Bénédict) under Sir Colin Davis, The Ferryman (Curlew River), Sprecher (Die Zauberflöte), and Sir Thomas Bertram (Mansfield Park, Jonathan Dove). Other roles include Papageno (The Magic Flute), Sid (Albert Herring), Theseus (A Midsummer Night’s Dream) for Shadwell Opera, Il Conte (Le nozze di Figaro) for the Amersham Festival, Gendarme (Les Mamelles de Tirésias), and Hymen and Sleep (Fairy Queen). He created Carl in Gervasoni’s “Limbus Limbo” which premièred at the Strasbourg Festival Musica.

Gareth has performed extensively on the concert platform with a number of the UK’s leading orchestras and ensembles  with recent highlights including Elijah with the Really Big Chorus at Birmingham Town Hall; Carmina Burana with the Bach Choir at the Royal Festival Hall and at the Barbican; Messiah at the Royal Albert Hall; Fauré Requiem at the Royal Albert Hall; Dream of Gerontius with the Leeds Philharmonic Chorus; Bach St Matthew and St John Passions; Handel Judas Maccabeus, Israel in Egypt and Alexander’s Feast; Vaughan Williams Sea Symphony; Rachmaninoff The Bells; Brahms Requiem for the Ulster Orchestra and Britten’s War Requiem at Guildford and Chichester Cathedrals.  Future concert engagements include Brahms Requiem for the Bournemouth Symphony Orchestra,  Vaughan Williams Sea Symphony at Salisbury Cathedral,  Belshazzar’s Feast at Guildford Cathedral, Mozart Requiem with the Hong Kong Philharmonic and the Kingdom with the BBC Philharmonic Orchestra.

Gareth is part of the Songsmiths, and regularly sings in the London English Song Festival. Other recent and future recital dates include appearances at St John’s Smith Square, Wigmore Hall, Barber Institute, King’s Place and at the King’s Lynn, North Norfolk Music, Haddo, Leeds Lieder, Oxford Lieder, Ryedale and Bath International Festivals. His recording of Mahler Lieder eines fahrenden gesellen with Trevor Pinnock is available on Linn Records and he recently recorded the Arnold Rosner Requiem with the London Philharmonic Orchestra.


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  • Wigmore Hall Recital

    Gareth presented a varied programme and revealed a confident and technically accomplished performer. He produced a consistently clear vocal line too. It’s a big voice, and a warm one, with a very full, rich sound; the tone is evenly sustained across the range, with exceptionally focused lower register

    Claire Seymour Opera Today
  • Kathleen Ferrier Awards

    Gareth Brynmor John’s clarity, warmth and even spread held us gripped from the beginning. He also passed the variety test. Two fervent accounts from Vaughan Williams’ Songs of Travel showed that he’d be welcome in any drawing-room. The opera house beckoned in his penetrating aria from Tchaikovsky’s Eugene Onegin. Strong lieder credentials, too: the last of his four selections from Wolf’s Italian Songbook was caressed with such delicate control and tenderness that my knees started to give way.

    Geoff Brown The Times


  • Gareth Brynmor John to receive the Welsh National Opera Sir John Moores Award

    Gareth Brynmor John to receive the Welsh National Opera Sir John Moores Award

  • Gareth Brynmor John to make his Welsh National Opera début

    Gareth Brynmor John to make his Welsh National Opera début

  • Groves Artists take on British baritone, Gareth Brynmor John

    Groves Artists take on British baritone, Gareth Brynmor John