Morgan Pearse

Baritone

Management

Helen Hogh
hh@grovesartists.com

Fiona Wells
fw@grovesartists.com

Groves Artists represents Morgan Pearse worldwide

Biography

Morgan Pearse from Sydney, Australia is already widely recognised as one of the most exciting and talented baritones of his generation.

Having made his professional début with English National Opera in 2015/16 singing Figaro in The Barber of Seville, Morgan returns to sing the role again at the beginning of the 2017/18 season. The rest of this season will include concerts with the Moscow Philharmonic Orchestra and Musica Viva orchestras in Russia and the Netherlands Radio Philharmonic at the Concertgebouw and his first solo recital at the Wigmore Hall with Simon Lepper.  Recent and future engagements include performances of the title role in the Verbier Festival Academy production of Don Giovanni, Valens in Theodora in the Karlsruhe Händelfestpiele, the title role in Le nozze di Figaro and Papageno in Die Zauberflöte for the Badisches Staatstheater, covering the title role in Billy Budd for the Bolshoi Theatre, Sid in Albert Herring for the Buxton Festival, Nero in Kaiser’s Octavia for the Innsbruck Festival of Early Music and Belcore in L’Elisir d’Amore for New Zealand Opera.

​Equally at home in concert repertoire, Morgan’s  engagements have included the first performance of Schubert’s Winterreise in Sydney in 20 years, Fauré Requiem and Handel Messiah in the Sydney Opera House, performances of Britten’s War Requiem throughout Poland and Mozart Requiem  with the English Chamber Orchestra.  He has appeared at  the Wigmore Hall, Purcell Room, Melbourne Recital Hall, Hamer Hall, Copenhagen’s Konserthuset, Sydney Opera House, St John’s Smith Square, Royal Festival Hall and Queen Elizabeth Hall, as well as the Edinburgh Fringe, Gower and Newbury Spring Festivals. Selected concert engagements include a solo recital at  the Wigmore Hall, appearances with the Birmingham Philharmonic Orchestra, Moscow Musica Viva Chamber Orchestra, RTVE Madrid, Real Orquesta Sinfonica de Sevillia, Huddersfield Choral Society, Netherlands Radio Philharmonic Orchestra, the Russian National Orchestra, King’s College Choir Cambridge, the Cheltenham Bach Choir and the Bournemouth Symphony Orchestra at the Newbury Festival.

​During the 2014/15 season, whilst a member of the renowned Houston Grand Opera studio programme, Morgan performed the roles of Papageno in The Magic Flute, Yamadori in Madame Butterfly and Anthony in Sweeney Todd as well as covering Guglielmo in Così fan Tutte and singing scenes as Malatesta in Don Pasquale.  He went on to perform the role of Figaro in The Ghosts of Versailles for Wolf Trap Opera.

In the 2013/14 season, Morgan performed the title role of Owen in Owen Wingrave for Sydney Chamber Opera, Pompeo in Benvenuto Cellini for English National Opera and Minos in Arianna in Creta for the London Handel Festival. In previous seasons, he has performed the title role of Imeneo in Imeneo with the London Handel Festival, Apollo in L’Orfeo in an Australian national tour of the Australian Brandenburg Orchestra, Principal Baritone in Dioclesian with Pinchgut Opera and the world premiere of Underground Man in Notes from Underground with Sydney Chamber Opera.

​Morgan was the winner of the prestigious Cesti Competition in 2016, won the prestigious Lies Askonas prize in 2014 and was the gold medallist in the Royal Overseas League’s Music Competition in 2013. He has also won the John Warner Recital Competition, the RCM’s Schumann Competition, is a Samling Artist, an awardee from the Australian Music Foundation, the Tate Foundation, the Cook Society and the Josephine Baker Trust.

He is extremely grateful for the continual support of the Hon. Ros Kelly, Old Sydneians’ Union, Mr. Peter Hutchinson, John Hosier Trust, Opera and Arts Support Group, Ian Potter Cultural Trust and Sir Robert Askin Travelling Operatic Scholarship.

 

This biography is for website use only. For a full and updated biography, please email info@grovesartists.com

Audio/Video

Select an audio or video file
from the list below

Reviews

  • The Barber of Seville, ENO London

    And, Pearse’s effortless vocal projection added to our sense of a man-about-town at ease with himself and in calm control of the situation, as when Figaro commandingly interrupted the chaotic maelstrom of the Act 1 Finale.

    Claire Seymour Opera Today
  • HGO's Sweeney Todd

    Only Mr. Pearse, as love-smacked Anthony, has the requisite fire of youth and stirring voice to give his ballads spontaneity and lyricism

    D. L. Groover Houston Press

News

  • Morgan Pearse wins 7th Cesti competition
    27.08.16

    Morgan Pearse wins 7th Cesti competition

  • Baritone Morgan Pearse joins Ingpen and Williams
    12.01.16

    Baritone Morgan Pearse joins Ingpen and Williams