Andrés Presno

Tenor

Management

Helen Hogh
[email protected]

Fiona Wells
[email protected]

Representation:

  • - Worldwide

Biography

Uruguayan tenor Andrés Presno joined the Jette Parker Young Artists Programme in 2019/20 and stayed until the end of the 21/22 season.   His roles during this period included singing Abdallo and cover Ismaele (Nabucco), singing Gastone de Letorières and cover Alfredo (La Traviata), singing Roderigo and covering Cassio (Otello), First Man in Armour (Die Zauberflöte), Roderigo (Otello), and First Elder (Susanna), cover Rodolfo (La Boheme), cover Duca (Rigoletto), and cover Pinkerton (Madama Butterfly).   Since leaving the programme he has returned to sing the Messenger (Aida) and Arturo (Lucia di Lammermoor) as well as covering Rodolfo, Pinkerton and Duca.

Recent and future engagements away from Covent Garden include Malcolm / covering Macduff (Macbeth) and Cavaradossi (Tosca) for The Grange Festival,  Des Grieux (Manon) and Don José (Carmen) for the Teatro Municipal, Santiago,  Cavaradossi, the Young Gypsy (Aleko),  Turiddu (Cavalleria Rusticana) and Adorno (Simon Boccanegra) for Opera North,    Desiré (Fedora)  and Duca for IF Opera as well as  Luigi (Il Tabarro) and Cavaradossi for Welsh National Opera and in 2026/7 he makes his debut with Scottish Opera singing Pinkerton.    Further afield he will sing his first Manrico / Il Trovatore at the Manlor Festival in Zaragoza and in 2026-7 he will sing Calaf / Turandot at the Theatro Municipal in Rio de Janeiro.  In 2025 he made his début at the BBC Proms Festival singing arias from Tosca as part of the Traitors’ Prom!

He is also sought after for his work on the concert platform with recent engagements including performances of the Verdi Requiem and Beethoven Symphony No 9.

Presno studied at the Escuela Departamental de Canto Lirico with Rina Baffa, at Escuela Nacional de Arte Lirico del SODRE under Raquel Pierotti and with Yvonne Kenny at the Guildhall School of Music & Drama where he was a scholar and was supported by the Centro Cultural de Música, Uruguay.  His opera appearances include, Parpignol (La bohème), Remendado (Carmen), Cassio (Otello), Giuseppini  (El dúo de la Africana), Gastone de Letorières (La traviata), Ricardo (La del Manojo de Rosas) and Pinkerton (Madama Butterfly) at SODRE, Dr. Caius (Falstaff) and Edmondo (Manon Lescaut) at Teatro Solis in Montevideo, and chorus and various solo roles in productions for the Punta Classics Festival.

He is a Samling Artist.

This biography is for website use only. For a full and updated biography, please email [email protected]

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Reviews

  • The Traitors - BBC Proms

    Tenor Andrés Presno was impassioned and sparklingly clear in Cavaradossi’s heartbreaking aria E lucevan le stelle from Puccini’s Tosca…

    Imogen Tilden The Guardian / July 2025
  • Il Tabarro, Welsh National Opera

    [As Luigi] Presno was vibrant and ardent of voice…

    Robert Hugill Planet Hugill / October 2024
  • Aida, Royal Opera House

    …newcomer Andrés Presno whose brief appearance as the Messenger presaged a great future. Who knows, he may be delivering his own Radamés in the not-too-distant future.

    Stuart King London Box Office
  • JPYA summer performance at Covent Garden

    The other future Verdian star was tenor Andrés Presno who, despite only having been cast in lighter roles thus far, displayed an impressive squillo as Don Carlos that rang through the entire theatre – a name to keep an eye on.

    Kevin W Ng Bachtrack / July 2021
  • Jette Parker Young Artists Summer Performance

    …Andrés Presno’s ferociously passionate – though never coarse – Don Carlos.

    Benjamin Poore MusicOMH / July 2021
  • Carmen, Teatro Municipal de Santiago

    [translated from Spanish]

    Singer of imposing physical presence, the interventions of Presno throughout the four acts in the role of Don José, were a sample of the high quality of his vocal talents…

    Enrique Morales Lastra Cine y Literatura, July 2023