Mark Padmore CBE

Tenor

Management

Helen Hogh
[email protected]

Fiona Wells
[email protected]

Representation:

  • - Worldwide

Biography

Mark Padmore was born in London and studied at King’s College, Cambridge. He is one of the most highly respected performers of his generation and has established an international career in opera, concert and recital. His appearances in Bach Passions have gained particular notice, especially his acclaimed performances as the Evangelist in the staged productions of the St Matthew and St John Passions with the Berlin Philharmonic and Sir Simon Rattle directed by Peter Sellars.

Recent engagements have included performances as the Evangelist in the St Matthew Passion with the Bavarian Radio Symphony Orchestra / Simon Rattle and with the Turku Philharmonic Orchestra, a tour of Japan appearing at Le Pont International Music Festival, a recital at Topan Hall with the guitarist Yasuji Ohagi and performances of Britten Nocturne with the Gunma Symphony Orchestra. He also sang the Nocturne with the BBC Scottish Symphony Orchestra / Ryan Wigglesworth and with the Freiburg Chamber Orchestra.  On the recital platform highlights have included Schubert Winterreise with Julius Drake for Temple Music as well as with Till Fellner at the Innsbrucker Festwochen.

Other highlights include Judith Weir’s In the Land of Uz at the Three Choirs Festival; recitals with Julius Drake in Barcelona, Paris and Madrid, in Alicante with the Elias String Quartet; the Muziekgebouw Amsterdam with Till Fellner and Schubert Winterreise with Mitsuko Uchida at Carnegie Hall New York, the Kimmel Center Philadelphia and the University of California at Berkeley.

Mark performs regularly at the Wigmore Hall and was Artist in Residence there in the 2021/22 season where he celebrated his relationship with pianists Till Fellner, Imogen Cooper, Mitsuko Uchida and Paul Lewis.  He returned to the hall recently to sing Vaughan Williams and Fauré with the Elias Quartet and James Baillieu as well as in a mixed programme with baritone, Roderick Williams and Julius Drake.

Sought after for his work in opera recent productions have included the title role in a new production of Monteverdi Il ritorno d’Ulisse in patria conducted by Fabio Biondi at the Grand Théâtre de Genève, a new production of Britten’s Death in Venice at the Royal Opera House, Covent Garden where his performance was described as a “tour de force”, Captain Vere in Britten Billy Budd and Evangelist in a staging of St Matthew Passion for the Glyndebourne Festival, and leading roles in Harrison Birtwistle The Corridor and the Cure at the Aldeburgh Festival.

In concert Mark performs with the world’s leading orchestras. He was Artist in Residence for the 2017/18 season with the Berlin Philharmonic and held a similar position with the Bavarian Radio Symphony Orchestra in 2016/17. His work with the Orchestra of the Age of Enlightenment has involved projects exploring both the Bach St John and St Matthew Passion without conductor which attracted worldwide acclaim.

He has made numerous award-winning recordings including Schumann Dichterliebe with Kristian Bezuidenhout and Schubert song cycles with Paul Lewis, both for Harmonia Mundi. Described by the New York Times as “Schubert Masters” Mark Padmore and Mitsuko Uchida recently embarked on a series of highly acclaimed, worldwide recitals and this partnership has culminated in a recording on Decca Classics of Schubert Schwanengesang and Beethoven An die ferne Geliebte.

Mark was Artistic Director of the St. Endellion Summer Music Festival in Cornwall from 2012-2022, voted 2016 Vocalist of the Year by Musical America and appointed CBE in the 2019 Queens’ Birthday Honours List.   He lives in London with his family.

This biography is for website use only. For a full and updated biography, please email [email protected]

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Reviews

  • Beethoven: An die ferne Geliebte; Schubert Schwanengesang - Mitsuko Uchida CD (Decca)

    Mark Padmore is at his vocally expressive best, lyric tone sliding into near speech, with Uchida seemingly minting this music anew. Have those dark chords at the close of ‘Am Meer’ ever sounded so chilling?

    Christopher Cook BBC Music Magazine / February 2023
  • Wigmore Hall recital with Mitsuko Uchida (piano)

    I was awed in following the German texts to register how immaculate and internalised was his honouring of the text and how delicate his inflection of every syllable…… their (Padmore and Uchida) rapport here seemed profound, a rare meeting of two great musical minds.

    Rupert Christiansen The Daily Telegraph / June 2020
  • Death in Venice, Royal Ballet and Opera

    At the centre, there’s a tour de force performance by tenor Mark Padmore as the blocked writer Aschenbach, his voice apparently as fresh at the end of this long evening as at the beginning

    Erica Jeal The Guardian / November 2019
  • Death in Venice, Royal Ballet and Opera

    Mark Padmore deals in a masterly fashion with the English words, so poetically charged by librettist Myfanwy Piper, and was in his best voice, teasing out beauty with every lyrical solo.

    Richard Fairman The Financial Times / November 2019
  • St John Passion, Orchestra of the Age of Enlightenment, Sir Simon Rattle conducting

    Mark Padmore has given us many excellent evangelists, yet this heartfelt, aggrieved, intimate take on St John’s gospel narrative, sometimes spiked with penetrating pauses, still seemed exceptional.

    Geoff Brown The Times / April 2019
  • Wigmore Hall recital with Simon Lepper (piano)

    In songs by Mozart, his whole body irradiated an almost operatic intensity, simultaneously physical, intellectual and passionate […]

    Nick Kimberley The Evening Standard / December 2018
  • Das Paradies und die Peri, Berlin Philharmonic, Mikko Franck conducting

    The pure, declamatory tone of seasoned tenor, Mark Padmore, also seems tailor made to the role of narrator […]

    Rebecca Schmid The Financial Times / May 2018
  • Winterreise, Kristian Bezuidenhout (Fortepiano), CD (Harmonia Mundi)

    Padmore’s control of colour and phrase remains astonishing, and he explores yet more affectingly and powerfully the lonely soul of everyman.

    Stephen Pettitt The Sunday Times / February 2018
  • Dichterliebe & Liederkreis; Brahms Songs, Paul Lewis (Piano), Alice Tully Hall, New York

    Mr. Padmore did not so much sing this music as inhabit it.

    James R Oestreich April 2018
  • Jonathan Dove's In Damascus, Sacconi Quartet, Kings Place

    The tenor line – here presented by Mark Padmore with immaculate artistry, and a technique so finely honed that one scarcely noticed it […]

    George Hall The Guardian / 14 July 2016
  • Nocturne for Tenor & Chamber Orchestra, Seattle Symphony Orchestra, Ludovic Morlot conducting

    The only reason to program Britten’s song cycle “Nocturne” is the availability of a first-rate tenor, and the Symphony definitely had one in the evening’s soloist, Mark Padmore. The quintessential English tenor, Padmore has won acclaim for all kinds of repertoire, from early music and baroque works through more contemporary music. Padmore is an extraordinarily expressive singer — his wide range, vocal agility, tone quality and musicality make him an ideal choice for the Britten.

    Melinda Bargreen The Seattle Times 22 April 2016

News

  • Acclaimed British Tenor Mark Padmore CBE joins Groves Artists
    01.08.25

    Acclaimed British Tenor Mark Padmore CBE joins Groves Artists