Thomas Elwin

Tenor

Management

Helen Hogh
[email protected]

Fiona Wells
[email protected]

Groves Artists represents Thomas Elwin worldwide

Biography

London-born, tenor Thomas Elwin studied at the Royal Academy of Music. An alumnus of the Solti Accademia Bel Canto and the Verbier Academy, Thomas was a member of the opera studio at Oper Stuttgart for the 2014/15 season. He is a former Equilibrium and Classical Opera Company Associate artist, and was recently elected Associate of the Royal Academy of Music.

Notable stage performances include the role of Alfredo in a filmed production of La Traviata with Opera Glass Works, Rodolfo/La Boheme and Gennaro/Lucrezia Borgia with English Touring Opera, Oronte/Alcina at Glyndebourne, Don Ottavio/ Don Giovanni at English National Opera, Mahler 8 at the Cheltenham Festival, Mozart Requiem at the Mozartiana Festival, Gdansk, Sam Kaplan/Street Scene at Oper Koeln, Nemorino/The Elixir of Love with Wild Arts, Jaquino/Fidelio and Belmonte/Die Entfuhrung both at the Vorarlberg Landestheater, Ferrando/Cosi Fan Tutte at Oper Stuttgart and with Teatro Barocco in Vienna, and Fracasso Fracasso/La Finta Semplice with Classical Opera Company.

Whilst at the opera studio at Oper Stuttgart, Thomas performed roles in seven operas, including Officer/Ariadne auf Naxos, Kuska/Khovanshchina, Adballo/Nabucco, Borsa/Rigoletto and jumping in to sing the final two performances as Ferrando in a new production of Cosi Fan Tutte. During his studies, roles included Tamino/Die Zauberflote, Ernesto/La Vera Constanza, Madwoman/Curlew River, Nemorino/L’Elisir D’amore and excerpts as Duca/Rigoletto and Don Ottavio/Don Giovanni.

On the concert platform Thomas performs extensively across Europe.  Highlights have included Bach Passions (both arias and as Evangelist) in St. Alban’s Abbey, the LutherKirche in Bad Canstatt and in Zaragoza, Messiah at Liederhalle Stuttgart with the International Bach Akademie, with the Ulster Orchestra, and Odense Symphony Orchestra in Denmark,  Dove’s ‘For an Unknown Soldier’ at Wells Cathedral, Britten Serenade at Kings Place, London and in the Duke’s Hall with Royal Academy Symphony Orchestra. Further performed repertoire includes Requiem/Verdi, Messa di Gloria/Puccini, Jephtha/Handel, Nocturne/Britten, Elijah/Mendelssohn and Creation/Haydn.  He made his debut in the BBC Proms festival in 2017 and his debut with the Munich Philharmonic in the 2018/19 season performing the Mozart Requiem as well as at the Mozartiana Festival, Gdansk.  Recent and future engagements include Mahler 8 at the Cheltenham Festival,  Dies Natalis with the BBC Concert Orchestra, Verdi Requiem with the Royal Choral Society, and Britten Serenade at Cadogan Hall.

In February 2025 Thomas will be releasing his debut recital album ‘Le vase brisé’, a programme of French and Italian song of the late 19th and early 20th century. Further song repertoire includes Winter Words/Britten, The Hearts Assurance and Boyhoods End/ Tippett and Dichterliebe/Schumann. Whilst at the Royal Academy Thomas was a member of the Song Cycle.

Thomas began his musical life as a chorister at St. Paul’s Cathedral, performing extensively as a soloist in the UK and abroad. He was a choral scholar at Royal Holloway, University of London, and a founding member of the ensemble VOCES8 with whom he maintains a relationship as a vocal consultant. Thomas lives in London and enjoys films, most sports, not least following the mixed fortunes of West Ham United, and has run three marathons raising over £10,000 for charity.

This biography is for website use only. For a full and updated biography, please email [email protected]

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Reviews

  • An English Passion According to Saint Matthew

    Tenor Thomas Elwin is outstanding in his portrayal of Jesus, almost overpoweringly lyrical and impassioned.

    Malcolm Riley Gramophone, April 2022
  • Cosi Fan Tutte/ English Touring Opera

    The outstanding voice, however, is that of the robust tenor Thomas Elwin whose accounts of Ferrando’s “Un’aura amorosa” and “Tradito, schernito” were sensitively phrased and crisply projected.

    Rupert Christiansen The Telegraph
  • Mozart's Don Giovanni

    Thomas Elwin, made his ENO and London operatic debut at short notice deputizing for an ailing Allan Clayton in Richard Jones’ action-packed and scenically complex new staging of Don Giovanni. Elwin’s voice is, as yet, smaller than Clayton’s but with his well-focused and finely projected tone – that of a classic Mozart lyric tenor – and outstanding diction, he delivered his Act 1 aria in beautifully modulated phrases and with a daring dynamic palette.

    Hugh Canning Opera
  • Haydn's Applausus

    Thomas Elwin’s fresh, truly Mozartian – for that matter, Haydnesque – tenor proved fully equal to the extraordinary challenges Haydn afforded him, especially later on in two highly ornate arias of truly ‘heavenly length’.

    Mark Berry

News

  • Tenor Thomas Elwin launches new YouTube channel ‘Opera Show’
    13.03.18

    Tenor Thomas Elwin launches new YouTube channel ‘Opera Show’

  • Thomas Elwin made an Associate Artist of Classical Opera
    08.06.17

    Thomas Elwin made an Associate Artist of Classical Opera

  • Tenor Thomas Elwin joins Ingpen and Williams
    12.01.16

    Tenor Thomas Elwin joins Ingpen and Williams